Next, "Shall We Play a Game?" runs 9 minutes, and is basically a one-on-one chat with Caruso and his mentor, filmmaker John Badham. "Is My Cell Phone Spying on Me?" is a fairly interesting 9 minutes featuring the filmmakers discussing the realities of modern surveillance and monitoring, as well as their personal thoughts on the erosion of our personal privacy. Additional Featurettes (HD, 28 minutes) - Four more shorter pieces are included.įirst, "Eagle Eye: On Location" runs nearly 6 minutes, and takes a look at the film's Washington DC location shoot.However, like some of the other featurettes, there are spoilers, so you might want to skip this if you haven't yet watched the film. (Yes, this is that kind of featurette.) It's polished and fast-moving, however, with a decent amount of info mixed in with the behind-the-scenes stuff and plot recap. Featurette: "Asymmetrical Warfare: Making of Eagle Eye" (HD, 26 minutes) - Your standard promo EPK, with director DJ Caruso, star Shia LaBeouf, and various cast and crew babbling on about how timely the film is and contextual its theme. #Eagle eye traler full#At least the video materials are in full 1080i video, and subtitle options are the same as the main feature. The extras on 'Eagle Eye' are vapid and glossy, and there really isn't all that much here aside from promo featurettes. This is a perfectly acceptable, time-waster of a thriller. But a weak script is a weak script, and as is, 'Eagle Eye' is a fairly riveting thriller that ultimately turns out to be less than the sum of its parts. Interestingly, Steven Spielberg was once considering directing 'Eagle Eye' (he's now credited as an executive producer), and one wonders what he might have done with the material. The film is also slickly (if anonymously) directed by Caruso, and both LeBeouf and Monaghan flesh out their cardboard characters nicely. It's again only in retrospect that the whole house of cards collapses under the weight of illogic, so during the film's overlong 117 minutes, we are at least engaged. The film's greatest asset is that we know no more or no less than Jerry and Rachel, so at least emotionally, we are on their side. Yet, 'Eagle Eye' is still kinda enjoyable simply as a thrill ride. That takes much of the fun away, especially since Jerry and Rachel cause so much noise and destruction as they scramble around the Windy City that one has to question the intelligence of the puppetmasters behind the whole plot, who are second only to little Damien in 'The Omen' movies in attracting attention to themselves. Having seen 'Eagle Eye' once in the theater and now again on home video, I can also safely say that the film does not hold up to scrutiny, and going back over it only reveals its narrative gaps more fully. There are so many contrivances, unbelievable coincidences and credibility gaps that this is cinematic Swiss cheese. The problem with a film like 'Eagle Eye' is that it is wholly ridiculous. Slap a thick layer of 'Enemy of the State'-like visual gloss on the proceedings, and you have the best over-torqued thriller that Tony Scott never made. There are more than just a few echoes of not only 'North by Northwest,' but also 'The Game' and just about every paranoia thriller of the '70s. It's rather amazing that it took four screenwriters (John Glenn, Hillary Seitz, Travis Adam Wright, and Dan McDermott) to concoct 'Eagle Eye,' as it is so utterly derivative. As the complications and (seemingly) limitless damages pile up, hot on Jerry and Rachel's trail is FBI agent Thomas Morgan (Billy Bob Thornton), who is initially determined to stop the pair until even he realizes all may not be what it seems. Thrown together with the (seemingly) innocent Rachel Hollomon (Michelle Monaghan), they are plunged into a race against time in Chicago, guided only by a HAL-like female voice that instructs them where to go and what to do next. So let's just say this is another "big brother is watching you" paranoia piece, with LeBeouf starring as Jerry Shaw, a (seemingly) innocent pawn caught up in an intricate political puzzle. Little can be revealed of 'Eagle Eye's plot at risk of spoiling the film's many twists and turns. I'm sure it's only a matter of minutes before the Hitchcock estate sues. Now, only a little more than a year later, Caruso and LeBeouf have teamed up again for 'Eagle Eye,' which is basically 'North by Northwest'-lite. In 2007, director DJ Caruso and actor Shia LeBeouf teamed up for the film 'Disturbia.' Essentially 'Rear Window'-lite for the teen set, it was nevertheless a big box office hit despite cries of being utterly derivative dross by critics (and the target of a well-publicized lawsuit by the estate of the writer of the original short story upon which 'Rear Window' was based, who are claiming plagiarism).
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